August 12, 2020
Tulsa Opera to Open 2020-21 Season with Live Semi-Staged "Rigoletto," Performed for Live Audience at ONEOK Field Baseball Stadium, Friday, October 9 at 7:30 p.m. CT 
Principal cast (clockwise from top left): soprano Sarah Coburn (Gilda), tenor Joshua Wheeker (Duke of Mantua), bass Morris Robinson (Sparafucile), mezzo-soprano Allegra De Vita (Maddalena), baritone Todd Thomas (Rigoletto), and bass Kevin Thompson (Monterone)

Background: ONEOK Field—home of the Tulsa Drillers
minor-league baseball team—in Tulsa, Oklahoma
Principal cast (clockwise from top left): soprano Sarah Coburn (Gilda), tenor Joshua Wheeker (Duke of Mantua), bass Morris Robinson (Sparafucile), mezzo-soprano Allegra De Vita (Maddalena), baritone Todd Thomas (Rigoletto), and bass Kevin Thompson (Monterone) Background: ONEOK Field—home of the Tulsa Drillers minor-league baseball team—in Tulsa, Oklahoma

Tulsa native James Robinson, in his Tulsa Opera debut, to direct new baseball-themed production drawing upon historical connection between baseball and opera in America

TULSA, OKLAHOMA (August 12, 2020) — In its first performance for a live, in-person audience since the coronavirus outbreak, Tulsa Opera will present the company’s 2020–21 season opener, Verdi’s Rigoletto, outdoors in a semi-staged, baseball-themed production directed by James Robinson at local baseball stadium ONEOK Field on Friday, October 9 at 7:30 p.m. CT. Originally scheduled for this date at the Tulsa Performing Arts Center, Tulsa Opera’s season-opening Rigoletto has been reimagined for the ballpark in order to accommodate a larger audience—2,700 socially distanced at the park, compared to 2,365 non-distanced at Tulsa PAC—and in safer, open-air conditions with rigorous health protocols in place. The performance will be followed by a fireworks display. ONEOK Field is home to the Tulsa Drillers baseball team, the Double-A, minor-league affiliate of the Los Angeles Dodgers.

Tickets are $25 for general admission, $15 for students, and $50 for a family of five. Sales will open on Monday, August 17 via TulsaOpera.com.

Tulsa Opera General Director & CEO Ken McConnell said:

“Challenging times call for creative solutions. As difficult as it’s proving for orchestras to return to the concert hall, those of us in the opera world must contend with the fact that the core of our art form—singing—has become one of the most complex activities to undertake safely as our society tries to contain COVID-19. We have nevertheless found a way to open the season safely and on schedule, while also offering an utterly unique operatic experience, and we are delighted to be partnering with ONEOK Field and the Tulsa Drillers Management as we present this first opera of our 2020–21 season.”

For this performance, Tulsa Opera Artistic Director Tobias Picker—acclaimed composer of works for the Metropolitan Opera, New York Philharmonic, Philadelphia Orchestra, and San Francisco Opera, among many other leading companies and ensembles—has re-envisioned Verdi’s classic to run 85–90 minutes without intermission. The orchestral score has been adapted for a small orchestra consisting of two violins, viola, cello, bass, and piano. Mr. Picker said:

“Our new ‘baseball’ Rigoletto taps into the fascinating, but little-known history of the cultural intersection between baseball and opera in the USA. An organic concept, this Rigoletto takes the ‘socially distanced’ baseball diamond as its stage—positioning the singers at different bases and baseball positions throughout the opera. We cordially invite all Tulsa baseball fans to come see an opera on the Tulsa Drillers’ home turf. Tulsa Opera is thrilled that James Robinson has accepted our invitation to make his Tulsa Opera debut directing his hometown opera company at this most extreme and challenging time in the history of American opera.”

This production is the first since the coronavirus outbreak to be directed by James Robinson, one of America's most inventive and sought-after stage directors. Mr. Robinson has previously directed productions at companies including the Dallas, Houston Grand, Metropolitan, and San Francisco Operas. Among his recent highlights is a widely acclaimed production of Porgy and Bess created for the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera.

 

HEALTH AND SAFETY GUIDELINES

In staging its season opener, Tulsa Opera is taking every precaution to ensure the safety of all audience members, performers, and staff. The health and safety guidelines for all aspects of the rehearsal, preparation, and presentation process are in compliance with all government requirements for gatherings of this size and nature, and will also incorporate recommended practices from public health authorities and theater-industry unions. In compliance with the International Alliance of Theatrical Stage Employees, a COVID Compliance Officer will be appointed to oversee the production and ensure that all protocols are being properly followed.

Audience members in the stands—up to 2,700 people—will be seated every other row, with three empty seats separating each person or family within the row they are sitting. Masks must be worn at all times, and disposable masks and sanitizer will be readily available to attendees at no additional charge. Staff will ensure regular cleaning and sanitization of public and high-traffic areas.

All performers and staff will undergo symptom and exposure screenings at the beginning of each day that they are involved in the production. Six feet of social distancing will be observed as a general rule, and singers will be kept a minimum of 25 feet away from others in the direction of vocal production at all times while singing. Masks are required for all except for the singers during rehearsal and performance while singing. Cast will dress and prepare in their personal hotel rooms rather than in communal dressing spaces. In addition, whenever possible, wardrobe, makeup, and properties interactions will be isolated to the performers themselves with no cross-handling. In the event that a crewperson needs to interact with production elements or the performers, PPE, sanitization, and social-distancing protocols will be implemented under supervision of the COVID Compliance Officer. Work schedules and logistics will also be coordinated to allow for shorter work periods to reduce the likelihood of compromised immune systems due to fatigue and stress, and to eliminate unnecessary crossover between groups.

 

CAST
Rigoletto to feature five principal role debuts (*)

Among the cast is soprano and Oklahoma native Sarah Coburn, who returns to Tulsa Opera to star as Gilda. Ms. Coburn has sung at leading opera houses around the world, including the Metropolitan Opera and Wiener Staatsoper. The role of the Duke is sung by tenor Joshua Wheeker,* a graduate of the Young Artist program at LA Opera, where he has sung in numerous productions. Mr. Wheeker made his role debut as the Duke last summer at Opera Theatre of Saint Louis. The role of Sparafucile is sung by bass Morris Robinson.* A regular on the stage of The Metropolitan Opera, Mr. Robinson is a graduate of the Met’s prestigious Lindemann Young Artist Program and has appeared in principal roles at LA Opera, Lyric Opera of Chicago, San Francisco Opera, and Teatro alla Scala, among many other companies and opera houses around the world.

Mezzo-soprano Allegra De Vita* is cast as Maddalena, following performances in recent years at the Washington National Opera, as well as at the Glimmerglass and Spoleto Festivals. Baritone Todd Thomas,* whose Verdi has been heard at Lyric Opera of Chicago and Florida Grand Opera, among other companies, appears as the opera’s title character, while the role of Monterone is sung by bass Kevin Thompson.* Mr. Thompson has appeared on the stages of the New York City Opera and Teatro Lirico Giuseppe Verdi, among others, as well as in concert at Carnegie Hall, Lincoln Center, and The Kennedy Center.

Conductor Steven White, who recently made his San Diego Opera debut in Rigoletto and has also conducted Verdi in productions at the Metropolitan Opera, leads from the pit in his Tulsa Opera debut.

Left to right: Tulsa Opera Filstrup Resident Artists Chris Mosz, Andrew René, and Elliott Wulff

From Tulsa Opera’s Filstrup Resident Artist Program, tenor Chris Mosz will make his company mainstage debut as Matteo Borsa, while Filstrup Resident Artists baritone Andrew René and bass-baritone Elliott Wulff will make their Tulsa Opera debuts as Marullo and Count Ceprano, respectively.

 

The remainder of Tulsa Opera’s 2020–21 season is currently planned for performance at the Tulsa Performing Arts Center, as originally announced. Gluck’s Orfeo ed Euridice is scheduled for February 6, 2021, and Tobias Picker’s Emmeline is planned for April 30 and May 2, 2021, replacing the previously announced production of the composer’s new opera Awakenings, which will be presented in a future season. Emmeline, originally scheduled for May 2020 but cancelled due to the COVID-19 outbreak, had been previously re-scheduled for the 2021–22 season.

 

ABOUT

Formed in 1947, Tulsa Opera is the first performing arts organization established in Oklahoma and the tenth-oldest opera company in North America. Composer Tobias Picker was appointed its Artistic Director in 2016, and Ken McConnell has been the company’s General Director & CEO since 2018. The company excels at producing bold, brave, and fresh productions of opera classics, and accomplishes this by identifying excellent young singers, then pairing them with conductors and stage directors who can improve their artistic talents. In 2019, Tulsa Opera made history in presenting the first Trans woman in a principal role on the operatic stage in the United States. In addition to presenting a main stage season, the company fosters young talent through its Tulsa Youth Opera and Resident Artist programs and promotes music education through outstanding initiatives such as Raise Your Voice!, a partnership with Tulsa Public Schools that brings music back into classrooms where music programs have been discontinued. Tulsa Opera, throughout its history, has articulated the desire of local leaders to create and maintain a world-class city. Opera is in Tulsa’s DNA, and communication with opera patrons confirms that the Tulsa community has a robust – and now reinvigorated – commitment to the company’s success.

For more information, visit TulsaOpera.com.

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Tulsa Opera Presents Verdi’s Rigoletto
ONEOK Field
201 North Elgin Avenue, Tulsa, OK 74120

Friday, October 9 at 7:30 p.m. CT

Composed by Giuseppe Verdi
Libretto by Francesco Maria Piave
Sung in Italian with English supertitles

CAST

Gilda: Sarah Coburn
Duke of Mantua: Joshua Wheeker*
Sparafucile: Morris Robinson*
Maddalena: Allegra De Vita*
Rigoletto: Todd Thomas*
Monterone: Kevin Thompson*

Matteo Borsa: Chris Mosz**
Marullo: Andrew René*
Count Ceprano: Elliott Wulff*

ARTISTIC STAFF

Stage Director: James Robinson*
Conductor: Steven White*
Chorus Master and Company Pianist: Lyndon Meyer

*Tulsa Opera debut
**Tulsa Opera mainstage debut

Tickets are $25 for general admission, $15 for students, and $50 for a family of five. Sales will open on Monday, August 17 via TulsaOpera.com.

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Press contact: 

Shuman Associates
shumanpr@shumanassociates.net | (212) 315-1300

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