March 19, 2019
Semyon Bychkov Returns to New York Philharmonic in April and May to Conduct Two Weeks of Performances, Including U.S. Premiere of Thomas Larcher's Symphony No. 2 ("Kenotaph")
Semyon Bychkov conducts at the Wiener Musikverein.
Semyon Bychkov conducts at the Wiener Musikverein.
Umberto Nicoletti

Additional repertoire comprises Brahms’s Symphony No. 4, Strauss’s Ein Heldenleben, and Martinů’s Concerto for Two Pianos, featuring Katia and Marielle Labèque

NEW YORK, NEW YORK (March 19, 2019) — After more than 20 performances with the New York Philharmonic over the past three seasons, Semyon Bychkov returns to lead the orchestra in two programs over two weeks in April and May.

Among the works to be conducted by Mr. Bychkov is the U.S. premiere of a symphony dedicated to him, Thomas Larcher’s Symphony No. 2 (“Kenotaph”). This work, which was given its world premiere by Mr. Bychkov and the Vienna Philharmonic in 2016, is paired on the first program with Brahms’s Symphony No. 4, a piece in Mr. Bychkov’s core orchestral repertoire. Performances take place at David Geffen Hall on Wednesday, April 24, 2019, at 7:30 p.m.Thursday, April 25 at 7:30 p.m.Saturday, April 27 at 8:00 p.m.; and Tuesday, April 30 at 7:30 p.m. Mr. Bychkov also conducts the Brahms symphony at Geffen Hall on Saturday, April 27 at 2:00 p.m. as part of the orchestra’s Matinee Series. The work is preceded that afternoon by Brahms’s String Quartet No. 2, performed by Philharmonic musicians.

Recognized as a leading interpreter of Strauss, Mr. Bychkov conducts Ein Heldenlebenon the second program, which also includes Martinů’s Concerto for Two Pianos, featuring Katia and Marielle Labèque. Performances take place at David Geffen Hall on Thursday, May 2 at 7:30 p.m.Friday, May 3 at 2:00 p.m.; and Saturday, May 4 at 8:00 p.m.

Tickets starting at $33 (April 24–25, 27 evening, and 30), $35 (April 27 matinee), and $31 (May 2–4) may be purchased online at, by calling (212) 875-5656, or at the David Geffen Hall Box Office.

In discussing his interest in the music of our time, Mr. Bychkov said, “As soon as I identify contemporary music in which there is a permanent value, I want to conduct it,” and he has been especially passionate in championing Thomas Larcher’s Symphony No. 2. Originally conceived as a concerto for orchestra, this 35-minute, four-movement work was commissioned by Oesterreichische Nationalbank for its 200th anniversary in 2016, and Mr. Bychkov led the Vienna Philharmonic in the world premiere. He described it as an “extraordinary experience,” also saying:

“Larcher and I worked together for several months before the premiere and, afterwards I conducted it again at the BBC Proms with the BBC Symphony Orchestra in London. In Vienna, Larcher is regarded as the prodigal son and the symphony was a great triumph, so I was really curious to see how the work would be received in London. As it was, the work was also a triumph in London!”*

Mr. Bychkov subsequently conducted Symphony No. 2 with the Munich Philharmonic. The symphony’s subtitle, “Kenotaph,” refers to monuments erected to commemorate those killed in war, or in the composer’s own words, “graves for lost and forgotten souls.” The work was written in reaction to the European immigrant crisis and in sympathy with its victims.

In 2018, Symphony No. 2 won for its composer the Fondation Prince Pierre de Monaco's Musical Composition Prize, which is given every three years and awards €75,000 as well as the commission of an original composition. Previous recipients of the award include George Benjamin, Pierre Boulez, Elliott Carter, George Crumb, Péter Eötvös, Sofia Gubaidulina, György Kurtág, György Ligeti, and Michael Tippett.

Brahms’s Symphony No. 4 and Strauss’s Ein Heldenleben are both important works in Mr. Bychkov’s core orchestral repertoire. Last year at the New York Philharmonic, he conducted Strauss’s Eine Alpensinfonie, which he previously recorded with the WDR Symphony Orchestra Cologne. With WDR, he also recorded the complete Brahms symphonies.

Brahms: Symphony No. 4,
I. Allegro non troppo 
Bychkov / WDR Symphony
Orchestra Cologne

Strauss: Ein Heldenleben (excerpt)
Bychkov / Berlin Philharmonic


Mr. Bychkov is joined in Martinů’s Concerto for Two Pianos by soloists Katia and Marielle Labèque, with whom he has explored the duo-piano concerto repertoire on stage and on disc for more than two decades. The concerto to be performed was completed by Martinů in 1938 on a day that the composer’s country, Czechoslovakia, lost significant territory to Nazi Germany. He wrote: “All my thoughts were constantly on my endangered country … The work [was] written under terrible circumstances, but the emotions it voices are not those of despair but rather of revolt, courage, and unshakable faith in the future.”

Martinů: Concerto for Two Pianos (excerpt)
Katia and Marielle Labèque / Tomás Netopil / Orchestre de Paris


Semyon Bychkov, Music Director and Chief Conductor of the Czech Philharmonic, is internationally recognized for an approach to music making that combines innate musicality with the rigors of Russian music pedagogy. Like his orchestra, he has strong ties to the cultures of both Western Europe and the Slavic East. He has conducted virtually all of the major orchestras in the U.S. and Europe and previously served as Music Director of the Buffalo Philharmonic, Grand Rapids Symphony, and Orchestre de Paris, and Chief Conductor of both the WDR Symphony Orchestra Cologne and the Dresden Semperoper. Mr. Bychkov currently holds the honorary Klemperer Chair of Conducting at the Royal Academy of Music and the Günter Wand Conducting Chair with the BBC Symphony Orchestra, with which he appears annually at the BBC Proms. In 2015, the International Opera Awards named him “Conductor of the Year.”

These performances will mark Mr. Bychkov’s fourth consecutive season conducting the New York Philharmonic. In 2015–16, he led performances of two programs featuring works by Brahms, Mahler, and contemporary German composer Detlev Glanert; in 2016–17, he curated and conducted the Philharmonic Festival Beloved Friend: Tchaikovsky and His World, part of his larger, international Tchaikovsky project that he continues with the Czech Philharmonic in a recording cycle of the composer’s complete symphonies and piano concertos, among other orchestral works; and in 2018–19, he conducted two programs featuring works by Berio, Shostakovich, and Strauss.

Following his two weeks in New York, Mr. Bychkov conducts the Cleveland Orchestra in a program that includes the U.S. premiere of Detlev Glanert’s Weites Land: Musik mit Brahms. He then returns to Europe for performances with the Munich Philharmonic and Royal Concertgebouw Orchestra. His summer engagements include concerts at the BBC Proms and Edinburgh Festival, as well as Parsifal at the Bayreuth Festival.

For more information, visit

*Quoted from interview in Tutti magazine (January 21, 2017)

See Related:
Back to List
Back to Top